Pixies-Doolittle 25
Artist : Pixies
Album : Doolittle
Label : 4AD
Year : 2014
Genre : Rock Source : CDDA
Encoder : FLAC 1.2.1 Bitrate : 904kbps
Playtime : 121:33 Size : 784.63 MB
Tracks
Tracks:
CD1
01 Debaser 02:53
02 Tame 01:56
03 Wave Of Mutilation 02:05
04 I Bleed 02:35
05 Here Comes Your Man 03:22
06 Dead 02:21
07 Monkey Gone To Heaven 02:57
08 Mr. Grieves 02:06
09 Crackity Jones 01:24
10 La La Love You 02:44
11 No. 13 Baby 03:52
12 There Goes My Gun 01:50
13 Hey 03:31
14 Silver 02:25
15 Gouge Away 02:45
CD2
01 Dead (Peel Session) 01:32
02 Tame (Peel Session) 01:58
03 There Goes My Gun (Peel Session) 01:27
04 Manta Ray (Peel Session) 02:15
05 Into The White (Peel Session) 04:11
06 Wave Of Mutilation (Peel Session) 02:25
07 Down To The Wall (Peel Session) 02:32
08 Manta Ray 02:39
09 Weird At My School 01:59
10 Dancing The Manta Ray 02:12
11 Wave Of Mutilation (UK Surf) 03:00
12 Into The White 04:42
13 Bailey’s Walk 02:26
CD3
01 Debaser (Demo 2) 03:00
02 Tame (Demo 2) 02:10
03 Tame Of Mutilation (Demo 1) 02:02
04 I Bleed (Demo 2) 01:46
05 Here Comes Your Man (Demo) 03:07
06 Dead (Demo) 01:35
07 Monkey Gone To Heaven (Demo) 02:51
08 Mr. Grieves (Demo 2) 01:42
09 Crackity Jones (Demo 2) 01:21
10 La La Love You (Demo 2) 02:05
11 No. 13 Baby (Demo 1) 02:15
12 There Goes My Gun (Demo 2) 01:27
13 Hey (Demo 1) 03:20
14 Silver (Demo 2) 02:10
15 Gouge Away (Demo 2) 01:42
16 My Manta Ray Is All Right (Demo 2) 02:30
17 Santo (Demo 2) 02:17
18 Weird At My School (Demo 1) 01:50
19 Wave Of Mutilation (Demo 2) 01:31
20 No. 13 Baby (Demo 2) 03:06
21 Debaser (Demo 1) 03:34
22 Gouge Away (Demo 1) 02:08
Notes
Combining jagged, roaring guitars and stop-start
dynamics with melodic pop hooks, intertwining male-
female harmonies, and evocative, cryptic lyrics, the
Pixies were one of the most influential American
alternative rock bands of the late 80s. They
weren’t accomplished musicians – Black Francis wailed
and bashed out chords while Joey Santiago’s lead guitar
squealed out spirals of noise. But the bandmembers were
inventive, rabid rock fans who turned conventions
inside out, melding punk and indie guitar rock,
classic pop, surf rock, and stadium-sized riffs with
singer/guitarist Black Francis’ bizarre, fragmented
lyrics about space, religion, sex, mutilation, and pop
culture; while the meaning of his lyrics may have been
impenetrable, the music was direct and forceful…
After 1988′s brilliant but abrasive “Surfer Rosa”, the
Pixies’ sound couldn’t get much more extreme. Their
Elektra debut, “Doolittle”, reins in the noise in favor
of pop songcraft and accessibility. Producer Gil
Norton’s sonic sheen adds some polish, but Black
Francis’ tighter songwriting focuses the group’s
attack. “Doolittle”‘s most ferocious moments, like
“Dead,” a visceral retelling of David and Bathsheba’s
affair – are more stylized than the group’s past
outbursts. Meanwhile, their poppy side surfaces on
the irresistible single “Here Comes Your Man” and the
sweetly surreal love song “La La Love You.” The Pixies’
arty, noisy weirdness mix with just enough hooks to
produce gleefully demented singles like “Debaser,” -
inspired by Bunuel’s classic surrealist
short Un Chien Andalou – and “Wave of Mutilation,”
their surfy ode to driving a car into the sea.
Though Doolittle’s sound is cleaner and smoother than
the Pixies’ earlier albums, there are still plenty of
weird, abrasive vignettes: the blankly psychotic “There
Goes My Gun,” “Crackity Jones,” a song about a crazy
roommate Francis had in Puerto Rico, and the
nihilistic finale “Gouge Away.” Meanwhile, “Tame,” and
“I Bleed” continue the Pixies’ penchant for cryptic
kink. But the album doesn’t just refine the Pixies’
sound; they also expand their range on the brooding,
wannabe spaghetti western theme “Silver” and the
strangely theatrical “Mr. Grieves.” “Hey” and “Monkey
Gone to Heaven,” on the other hand, stretch Francis’
lyrical horizons: “Monkey”‘s elliptical
environmentalism and “Hey”‘s twisted longing
are the Pixies’ versions of message songs and romantic
ballads. Their most accessible album, Doolittle’s
wide-ranging moods and sounds make it one of their most
eclectic and ambitious. A fun, freaky alternative to
most other late-80s college rock, it’s easy to see why
the album made the Pixies into underground rock stars.
Pixies and 4AD celebrates the 25th anniversary of
“Doolittle” with the release of “Doolittle 25″ – an
expanded edition of the classic album that brings
together all the album’s B-sides, Peel Sessions
and demos for the first time, with nearly half of the
tracks having not been commercially released before.
Download Links:
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http://www.nitroflare.com/view/D79F7B3166900EE/Pixies-Doolittle_25-3CD-FLAC-2014-THEVOiD.rar
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